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Crafting a fantasy story or even writing a book in general, is an exciting, and sometimes daunting, adventure. At its core, a fantasy novel is a story interwoven with elements of a unique fantasy world, pacing that captivates readers from the first page, and character development that fosters a deep connection between the reader and the characters. However, even the most imaginative and experienced writers can stumble over common pitfalls. Recognizing these challenges is the first step towards mastering the art of fantasy writing. Ensuring that your narrative not only enthralls but captures the hearts of readers.
Within the realm of fantasy writing, there has to be a balance between embracing the beloved tropes of fantasy and forging a path entirely one’s own. This post dives into the crucial aspects, including how to write fantasy that defies the cliché of the chosen one, the intricacies of worldbuilding, and ensuring your characters are as multidimensional as the worlds they inhabit.
Read on below to see Part One of this series where I discuss the five mistakes I see made consistently with Fantasy writers as a Freelance Editor in this genre!
1. Relying on the chosen one trope
Too many times I’ve seen authors rely on the “chosen one” trope. What does the “chosen one” mean? In a sense, it means there is one specific character that is destined for greatness. When done well, this trop is actually a fun characterization to play with. However, when an author relies too heavily on this, or any overdone trope for that matter, it can become real redundant real fast.
When we don’t get to see the struggle the character goes through or the strength they begin to build, it begins to feel unrealistic. It comes across as the author relying too heavily on being the “chosen one”. We want to see the character falter and see them overcome their faults with some sort of hard work. It doesn’t mean the character can’t be destined for greatness, however, we need them to still feel relatable.
Alternatives to the “chosen one”
If you find yourself falling into overusing “the chosen one” try instead writing a character who forges their path through sheer determination and hard work. For instance, in The Game of Thrones by George R.R. Martin, no one, not even the protagonists are safe from danger. But each and everyone of them are fighting to get to the top. Even Jon Snow, the so-called chosen one, still works hard to get to where he is by the end. Similarly, “Codex Alera” by Jim Butcher features a main character who lacks the magical abilities everyone else possesses, providing a twist on the typical chosen narrative.
Creating Unique Hero Journeys
Creating a hero’s journey without relying on the chosen one narrative allows for more relatable and diverse character development. You can make the main character not special by birth but become significant through personal sacrifice and relentless training. This emphasis on self-made heroes resonates with readers, offering a more grounded and inspiring version of heroism that celebrates persistence over destiny .
By exploring these alternatives, authors can craft stories that resonate more deeply with audiences. Thus offering fresh perspectives on heroism and destiny.
2. Unoriginal or non captivating worlds
A unique world is a must in a fantasy novel. Whether it is set in a primary world or a secondary world but especially in a secondary world. A primary world is the world we know today but with a little twist. Think Legendborn by Tracy Deonn, this book is set in North Carolina but it is quickly revealed that it is not the North Carolina we all know. Instead it has some magic involved. A secondary world is set in a world where we have to learn a whole new governing entity, new creatures, and even magic systems. So think A Court of Thorns and Roses by Sarah J Maas.
Building a story set in a secondary world is more so what we’re going to focus on today. To do this authors must craft a whole new world (cue Aladdin and Jasmine’s music here) including but not limited to, governments, kingdoms (if that’s who is the ruling figure), class systems, politics, currency, climate, geography, and more! Here’s how to avoid the pitfall of unoriginal world creation and breathe life into your fantasy settings.
Developing Unique Fantasy Settings
To craft a fantasy setting that stands out, it’s essential to delve into the specifics of the world you’re creating. Consider the relationship between the real world and the fictional world. Like in popular series where only certain individuals can interact with the magical realm, your world’s uniqueness could stem from how these realms coexist and influence each other. Dive deep into the geography and environmental factors that shape your world’s cultures, ensuring they are not just replicas of familiar terrains but have their own distinct characteristics .
Blending Real-World Influences
While blending cultures can enrich a fantasy world, it requires careful consideration to avoid clichés and insensitivity. Avoid direct copies of real-world conflicts or blending cultures with a contentious history. Instead, focus on how environmental and historical factors naturally lead to the development of unique cultural traits. This approach not only adds depth to your world but also respects the complexities of real-world cultures.
If you want to incorporate real world cultures but in a new setting, consider a sensitivity reader to make sure everything that is portrayed and said by the characters are accurate and does not portray any insensitivities.
Creating Original Fantasy Cultures
The culture of your fantasy world should be a mirror reflecting its unique history, geography, and magic. Try developing a culture with its own customs, languages, and social structures that are influenced by the world’s unique aspects. From governance systems to religious beliefs, each element should contribute to a cohesive culture. Pay attention to how these elements affect everything from politics to personal relationships within your world.
By considering these aspects, you can create a fantasy world that captivates and immerses readers, offering them a glimpse into a realm where every detail is meticulously crafted and richly imagined.
3. Magical systems not explained (or unrealistic)
Defining clear boundaries and consequences for magic use is essential to maintain narrative integrity and reader engagement. You must ensure, as the author, that whatever system you set needs to be followed all the way through. You don’t want to confuse your readers way down the line when your main character does something that was stated as impossible in the beginning. If this is the case, make sure to have a great explanation as to why this person is the exception. Here are some insights on establishing effective magic limits:
Establishing Magic Costs and Consequences
Magic should come at a price, which can vary from physical tolls like exhaustion or pain to more abstract costs such as emotional or societal impacts. Consistency in these costs ensures that magic remains a double-edged sword, providing benefits while also posing significant risks. This balance keeps the story’s stakes high and maintains the suspense that is crucial for engaging fantasy narratives.
Creating Magic System Rules
A well-defined magic system should have clear rules that are known to the reader and adhered to by the characters. This includes understanding what magic can and cannot do and the limitations placed upon its use. Keeping these rules consistent prevents the magic from becoming a convenient plot device that can solve any problem without proper buildup or explanation.
Balancing Magic Power Levels
To prevent characters from becoming omnipotent, magic power levels should be carefully balanced. Limitations might include the inability to affect certain elements or the requirement of specific conditions for magic to work effectively. Introducing weaknesses or requiring significant sacrifices for powerful spells can add depth to the magic system and create more dynamic character development.
By integrating these principles, writers can craft a compelling and believable magic system that enhances the narrative without overpowering it.
4. Two dimensional villains
Please, please, please, make your villains multidimensional! Don’t make them evil for the sake of being evil. Too often in the editing phase, I’m left struggling to understand the villains motives so I’m badgering the author to give us more! I’m a firm believer in no one is born evil, evil is something that is developed. Don’t get me wrong I believe that some people have mental issues they are born with that cannot be combated. However, the majority of the time it’s not so black and white. So how do you avoid creating two-dimensional villains? Keep reading below to find out!
Give us a backstory & motivation
A truly memorable villain has a well-defined motivation and backstory that adds depth to their character and enhances the story’s conflict. To craft a complex antagonist, delve into their psychology and history. Understand what drives them beyond mere evil intentions. For instance, a villain might be driven by a desire to protect a loved one or by a traumatic past event that has skewed their worldview. These motivations make the character relatable and their actions more impactful within the story’s context.
Effective villains have clear, understandable motivations that align with their actions. A well-crafted motivation can be as simple as revenge for a past wrong or as complex as a desire to change the world according to their vision. By establishing a strong backstory, you provide the villain with a credible reason for their actions, which makes the conflict more engaging for the reader.
Avoiding Evil for Evil’s Sake
Avoid the cliché of villains who are evil solely for the sake of being antagonistic. Instead, give them rational, relatable motivations that can sometimes make the reader empathize with them. This approach not only deepens the character but also adds layers to the narrative, making the story more compelling and thought-provoking .
By focusing on these aspects, you can transform a one-dimensional villain into a complex character that significantly enhances the intrigue and depth of your fantasy story.
5. Excessive Exposition
Excessive exposition can overwhelm readers, detracting from the immersive experience of a fantasy story. Here are some ways to balance exposition effectively:
Techniques for Organic Worldbuilding
To create a believable fantasy world, integrate exposition seamlessly. Focus on showing the environment through characters’ interactions and reactions, rather than telling, i.e. lengthy descriptions. For instance, instead of explaining a magical system in detail, demonstrate its effects and limitations through a character’s struggle or success.
Balancing Information and Action
Maintain a dynamic narrative by balancing descriptive passages with action. Ensure that every piece of exposition serves to advance the plot or develop the characters. If you have a scene you’re not sure needs to be in your novel, ask yourself, “Does this move the plot forward?” If the answer is no, then cut the scene. Even if you believe it’s for the development of the characters, you need to cut it. The reader needs to see the plot moving and never staying stagnant, otherwise you may lose them along the way. Avoid static descriptions and ensure dialogue and descriptions contribute to story progression. .
Showing vs Telling in Fantasy Writing
Strive to show rather than tell. Use sensory details to bring scenes to life, allowing readers to experience the story through the characters’ eyes. Reserve telling for conveying essential information succinctly, especially when it enhances the pacing or deepens understanding of complex concepts.
Well there you have it, my first five mistakes I see in Fantasy writing as a freelance editor in this genre. Stay tuned for next week’s blog where I’ll be posting Part Two with even more tips and tricks on how to avoid these mistakes.
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